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Ticked-Off Trannies with Knives is a 2010 American rape and revenge exploitation film written and directed by Israel Luna. The film follows a trio of trans women who exact revenge on the men who brutally assault them and murder two of their friends. The film is split into five chapters, one of which is a missing reel.
After performing at a local club, trans women Rachel Slurr and Emma Grashun plan to party with Nacho and Chuey. When the guys tell them that they have a third friend, the girls convince their reluctant friend Bubbles Cliquot to join them. The girls drive to a warehouse where they are joined by Nacho and Chuey, along with their partner Boner. Bubbles tells her friends that Boner had recently drugged and raped her during a hook-up when he discovered she was a pre-op woman. Vowing to "finish the job", Boner, Nacho and Chuey attack the girls. Emma and Rachel are severely wounded but Bubbles is able to call her "mother" Pinky La'Trimm and Tipper Sommore and escape. Pinky and Tipper find Bubbles outside the warehouse and head inside to rescue Rachel and Emma. Instead, they are overpowered by the men and Boner attacks Bubbles again outside.
Boner regains consciousness to learn that the women have placed switchblade knives in the rectal cavities of Nacho and Chuey and a gun in his own rectum, weapons that will be triggered if any of them make any sudden moves. In a series of convoluted action sequences, Nacho and Chuey each recovers his knife and battles one of the women. Pinky kills Chuey and Rachel battles Nacho until Boner recovers his gun and holds it on Bubbles. Bubbles wrestles him for the weapon and, as Rachel finishes off Nacho, Bubbles shoots Boner in the chest. Pinky and Rachel each impale Boner with their thrown knives and Bubbles wrenches a large knife out of Nacho's skull and splits Boner's head with it, finally killing him.
The film was shot in Dallas, Texas, in the summer of 2009, on an 18-day shooting schedule.[3] The finished film is artificially worn with scratches and other indicators of age and at some points a jump in the action is covered with an intertitle indicating that a reel of the film is missing.
Writing for Variety, John Anderson compared Ticked-Off Trannies to the works of Roger Corman, Quentin Tarantino, and Robert Rodriguez. Finding that the film has a "transgressive edginess", Anderson noted the "catch-22" that Luna created for himself in balancing its championing of transgender people with its exploitation of their "inherently funny" nature. He called the film's production values "deliberately and appropriately horrible", which he said Luna uses as a way to escape any plot difficulties within the film by jumping ahead in the story with the claim of a "missing reel" of the film. Anderson concludes that Luna is for the most part successful in creating solid characters but that the film descends into the realm of cartoon violence.[5]
Neil Genzingler for The New York Times expressed embarrassment at the idea of even having to review a film called Ticked-Off Trannies with Knives before finding the film to be inept. "The only amusement comes in the catty remarks occasionally exchanged by the girls."[6]
The Tribeca Film Festival scheduled Ticked-Off Trannies to debut at its 2010 festival. This drew a complaint from the Gay & Lesbian Alliance Against Defamation (GLAAD), which stated that the film "misrepresent[s] the lives of transgender women and use[s] grotesque, exploitative depictions of violence against transgender women in ways that make light of the horrific brutality they all too often face". GLAAD claimed that the film conflated transgenderism with drag, which would create the impression in viewers unfamiliar with trans issues that "transgender women are ridiculous caricatures of 'real women'". GLAAD also criticized the filmmakers for referencing the real-life murders of trans woman Angie Zapata and gay teenager Jorge Mercado in the original trailer, which GLAAD believed reduced their murders to the level of the "outlandish violence" of the film.[9]
Tribeca issued a response to GLAAD's concerns, noting that GLAAD had been provided with a copy of the film well in advance of the festival and that the organization had offered media advice to the producers, director Luna and members of the cast.[10]
Writer/director Luna was puzzled by the negative reaction. He noted that the film's theme was one of empowerment, not victimhood. Luna said that he checked with many members of the Dallas transgender community, including those who worked on the film, regarding the use of the word "trannies" in the title and they had no issue with it, although he acknowledged that others within the community did object to it.[3] He did, however, decide to re-cut the trailer to remove references to murder victims Zapata and Mercado.[11]
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Represented institutional investor in connection with disposition of real estate portfolio involving retail, office and industrial property valued in excess of $125,000,000. Representation involved sales to multiple buyers and properties in multiple jurisdictions.
Assisted with the $60 million disposition of properties owned by a limited partnership sponsored by a German syndicator. Properties included an office building in New Jersey, an office building in Washington, D.C. and two grocery-anchored shopping centers in Pennsylvania.
We represented the developers who purchased a 40-acre tract upon which they subsequently built a multi-million dollar development with over 100 commercial tenants. The Plaintiffs alleged to previously own an easement through said development and sought demolition of the commercial development along with compensatory damages in diminution in value of their adjacent commercial development. After extensive discovery and expert witness testimony, the trial court granted the developers summary judgment which involved analysis of recorded instruments and whether they were easements, licenses and the ability to convey the same.
Represented commercial real estate lenders in connection with loans to fund the acquisition and/or development of various commercial projects, including hotel facilities and student housing apartments and condominiums.
Negotiated a ground lease for the developer and subsequent retail leases with multiple tenants including three restaurants and a bank and a construction and term loan with a local bank to finance the project.
Represent many manufacturing companies in connection with industrial development financing with payment in lieu of tax economic incentives for manufacturing facilities, including plants in the Jackson, Algood, Memphis, Manchester, Winchester, Columbia, Bradley, Coffee, Pickett, Cheatham, Montgomery, Rutherford, Sumner, and many other cities and counties in Tennessee.
Represented a tax credit investor in connection with the purchase of approximately $8,000,000 in low-income housing tax credits in a multi-family housing project of 365-units being developed in Atlanta, Georgia.
Representation of private equity firms that raise equity from investors for real estate investment. Assisted one client with the acquisition of a series of apartment projects across the Southeast and Midwest, including project financing of each acquisition. Represented a Midwestern firm in acquiring large industrial properties across the Southeast as well as an industrial park in Hammond, Louisiana, and a suburban office park in Montgomery, Alabama.
Assistance with a number of different businesses as retiring shareholders transferred their ownership to minority shareholders, senior management or third parties, including counseling on related financial and personal issues, often working with estate planning attorneys to fit this transaction into an overall estate plan.
Real estate seller brought specific performance action against purchaser for failure to perform certain obligations under the contract, including compliance with state environmental regulations. Obtained rescission of the contract and a $1,000,000.00 judgment against the company and the individual owners following summary judgment.
Counsel to the Ashford Hospitality REIT in connection with its ownership of the Renaissance Hotel in Nashville and its negotiation with the adjoining property owners in a major redevelopment of the former Nashville Convention Center.
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